The director is known for his choppy character designs that often go off-model in motion – he cut his chops on Crayon Shin-chan, after all – and so it’s therefore unlikely that he’ll have to do as many alterations for Sumito Oowara’s original manga as he had to do with Go Nagai’s original manga designs for Devilman crybaby. What’s more is that Keep Your Hands Off the Eizouken!’s character designs are already perfect for that Masaaki Yuasa-helmed TV anime. In turn, it’s these backgrounds that show off Oowara’s clear technical prowess as an artist. A more realistic art style, perhaps something that more closely mirrors the background art, wouldn’t offer anywhere near the same amount of versatility of expression. Going back to Keep Your Hands Off the Eizouken!’s jagged character designs, although they may look off-putting at first, reading just a little bit of the series will clue you in to how expressive they can be. As a result, it could be said that Oowara lacks the same kind of polish that other artists do – yet I’d say that for everything that Oowara lacks in polish, he makes up for in originality and expression. Then, just one year later, he was offered his first serialization in Monthly Big Comics Spirits with Keep Your Hands Off the Eizouken!.Ĭlearly, Oowara is quite different from such figures as Naoki Urasawa or Akira Toriyama, who had both been drawing their whole lives before becoming a mangaka. He only then started drawing manga for real in 2015, when he submitted his first manga to the Comitia original independent comic exhibition. He then attended the Toyo Institute of Art and Design, majoring in fine art before teaching himself animation once he graduated. Oowara was born in Kanagawa prefecture in 1993, and was part of the filmmaking club during his high school years. Luckily, Eizouken!’s visual aesthetic is perfect for Yuasa – you could even say that it was made for him.įor the most part, Keep Your Hands Off the Eizouken!’s jagged and cartoonish character designs alongside the densely detailed background art seems to come from original author Sumito Oowara’s own artistic background. Here’s where the different talents of the group come into play, along with detailed explanations of how the animation process actually works.Īs you’ve no doubt noticed from the images featured in this article already, Keep Your Hands Off the Eizouken! isn’t exactly the most ordinary-looking of manga. The idea for the club’s next work is then usually taken from this adventure, whereupon the series shifts into a production drama along the lines of Bakuman. Firstly, the club goes on some kind of adventure to find inspiration for their next work, which usually ends up in a gorgeous, surrealist landscape formed out of the main characters’ imaginations. On a narrative level, Keep Your Hands Off the Eizouken! functions mostly in two stages. Instead, she’s a full-blown sakuga nerd and wants to be an animator. She’s actually an up-and-coming model and the daughter of two famous actors, but has no interest in conforming to their ideas for her future. Next up we have the curt, overbearing Sayaka Kanamori who is Midori’s seemingly only friend, wears her glasses on her head, and loves money – or, as she puts it, ‘activities where gains can be made.’įinally, we have Tsubame Mizusaki. Keep Your Hands Off the Eizouken! follows a trio of high-school students who band together to form the ‘Eizouken’ or ‘Motion Picture Research Club’ to make and produce animated works.įorming the core of the group is the hyperactive, ever-curious Midori Asakusa who has a penchant for military surplus gear and drawing detailed artwork. Safe to say, then, that’s it’s pretty lauded. Comic Award in 2017, before being nominated for the 11th Manga Taisho awards in 2018, only losing out to Paru Itagaki’s BEASTARS. Sumito Oowara launched the manga in Shogakukan’s Monthly Big Comics Spirits back in 2016, and there are four collected volumes currently released as of the time of writing. Keep Your Hands Off the Eizouken! – A Troublesome Trioīefore we start on the prospects of that TV anime, however, it would perhaps be useful to explain what on earth Keep Your Hands Off the Eizouken! even is. Since then, he’s announced many more exciting projects (so much so that we can’t help but worry that he’s taking on a little too much), but even among this stacked line-up, the prospect of a Masaaki Yuasa-helmed Keep Your Hands Off the Eizouken! ( Eizouken ni wa Te wo dasu na!) anime is perhaps the most exciting – as original creator Sumito Oowara and the esteemed director seem like the perfect creative combo. It’s been almost six months since Masaaki Yuasa announced that he and Science Saru would be making a Keep Your Hands Off the Eizouken! TV anime.
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